Who ARE WE
We’re a Territory-born filmmakers collective turning Northern Australia’s raw beauty into screen magic.
With decades of national and international credits between us — and boots on the red dirt in every corner of the Top End — we know this place inside out. Our local networks, cultural fluency and deep roots mean productions run smoothly, respectfully and authentically. Our secret weapon? We are deeply enmeshed in this world, with family, friends and contacts across the Territory. When you work with us, you’ll know it and you’ll feel it.
Whether you need a turnkey crew or a single director, cinematographer, AD, producer or editor, we craft teams that fit your story, your budget and your vision. From remote shoots to city studios, we bring Territory talent and terrain to life — on time, on budget and with genuine local spirit.
Rebecca is a director, assistant director, writer, photographer and cinematographer. Graduating from AFTRS with a MA in Film & TV Directing, Rebecca has worked for two decades in the Film and TV industries, both in Australia and overseas.
She has worked for clients including Apple, ARTE, ABC, BBC, Al Jazeera, Netflix, Amazon Prime, Origin Pictures, ZED productions, the UN, Reuters and many national and international NGO's.
Rebecca worked as a cinematographer on MIFF feature documentary Like My Brother and as an AD on Netflix’s Territory, Amazon Prime’s Top End Bub and Deadloch Series 2. She was also the field producer on epic ARTE nature series Ephemeral Wetlands.
Having grown up in many remote NT communities, Rebecca brings deep connections and cultural competency working on the ground in the Territory, which is of particular value to projects emanating from elsewhere.
She is the recipient of a British Council Award, the Qantas Spirit of Youth Award, the European Union Film Award and the NT Visual Storyteller of the year in 2024.
Her short films and documentaries have screened in over 100 international film festivals and been broadcast by the ABC, SBS, BBC, Al Jazeera and many other international broadcasters.
REBECCA PARKER
leigh bramwell
Caro Macdonald is an acclaimed Darwin-based director, producer and cinematographer specialising in character-driven stories and the natural world. Her work has been commissioned and broadcast by the ABC, SBS, Al Jazeera and ARTE France.
She recently directed the half-hour documentary Democracy Darling! for international broadcast on Al Jazeera and produced the Tiwi Islands documentary Mamirnikuwi, which premiered at the Sydney Film Festival and aired on the ABC. Other projects include the documentary series The Northerners and the VR film Storm Dog. Her commercial and NGO clients include Next Wave, Environmental Justice Australia, Artback NT, Spotify and First Nations Fashion and Design.
As a cinematographer, Caro shot the NT stories for feature documentaries Under Cover and Careless (MIFF, ABC), and the international nature series Wetlands: Ephemeral Sanctuaries (ARTE France). Caro has recently expanded from documentary into drama. She is a recipient of the Natalie Miller Fellowship Catalyst Grant for cinematography and worked under DOP Bruce Young on NCIS Sydney (Season 2). She was also DOP on the award-winning short drama, Bear, receiving an Australian Cinematography Society award.
Originally trained as an anthropologist, Caro has over twenty years’ experience working across Northern Australia with First Nations organisations on heritage, filmmaking and cultural consultation. She is known throughout the industry for her effervescent personality, cinematic eye and collaborative approach.
caro macdonald
Leigh is an NT-based cinematographer, gaffer, editor and VR producer, with a specialist background in creating high-end visual experiences for museums and immersive media.
As a cinematographer, Leigh shot the feature music documentary Descent into the Maelstrom: The Radio Birdman Story, which received national and international cinema release. He has also shot documentaries for ABC and VICE, and most recently joined the camera department on the Amazon Prime drama series Top End Bub.
As a gaffer, Leigh has lit some of the Territory’s most ambitious shorts and commercial productions, including the award-winning short drama Bear (SXSW, FilmQuest, Fantasia) and the House of Darwin x Havaianas campaign. Alongside his screen work, he makes films for NGOs including Amnesty, UNICEF, Red Dust, as well as NDIS providers.
Leigh spent many years living and working in Southeast Asia, but now calls the Territory his home. He is an experienced VR producer, having worked on several ground-breaking immersive projects for leading Asian Pacific museums and cultural institutions.
Contact us
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